This is a new composition recently made by me.
This is a new composition recently made by me.
A new piece of music I made and I dedicated it to the Moon. Thursday it’s full Moon. This music can be used as a vision quest/ trance work in the realm of the Moon. All instruments are played by myself. No samples are used. Real rattles, shakers , drums/ Djembee and flute. I played it on intuition in a trance state myself. Ejoy!
In those strange times with Covid-19 we look for refuge in nature. Its a place that is very magical for us and a place of healing. We should reflect on what we are doing. Nature is always an endless source of inspiration. Based on this visit I became inspired to record a trance journey track. Its played with authentic instruments and I played all instruments myself. I love to play native American flute. Its played in a so called trance state guided by the spirits of nature. One can use this track for healing and rejuvination and meditate with it. Enjoy!
Do what thou wilt shall be the whole of the Law.
My extended LAM working entered a new phase last Sunday after one Month of Work. With the help of LAM I’m exploring the 22 paths of the frontside of the Tree by the aid of the 22 Trumps or Atu’s. Every Path 7 times, one session a day. From down to up. Started with 32nd Path of Tav. The sessions are stuffed with information from both the Aeon of Horus (5) and MAAT (6). It will take me probably many years to decipher it as my understanding grows. Its very cryptic information, the language of the birds speaking from the subconsciousness. Also those high beings like LAM and also Aiwass and many others habitants of the multidimensional universe have a super intelligence and a superconsciousness way beyond ours, so they communicate in such a way that we should dig deep into it and try to find the bigger picture. I have to admit it makes me feel very ‘small’ compared to them. Also the Genii from Liber 231 are very helpful. This guide (for Tav ‘Thath “th’ Tith’ ‘thuth thi’) ‘is really helpful in showing the way through the Path and give me clues, information induce visions etc.
After this project I start with the exploration of the 22 Paths of the backside of the Tree also called the ‘Tunnels of Set.
For those who don’t know. Assuming LAM as a mask or enveloped completely in a blue egg (Hoor Paar Kraat) is an excellent protection in daily life as well. I experimented with it at my work. I do the astral assumption in the metro before I get to work. Once assumed no bad energies, entities have a chance. Its obvious of course since one should assume this when traveling the tunnels of Set. LAM protects the magician against malignant forces. The tunnels are very dangerous so doing it without the protection its sanity. So it protects in daily life as well. I was surprised by its effect.
Also other information is directly applicable in the present daily life as well. Showing me connections with other activities I do.
Last but not least it also can be a source for my Thesis which is part of the Inner Order Work of Ordo A.’A.’..
During my LAM working I had the idea to make a Bee wax pentacle to symbolize the Work for me. During the trance works I had the following information. The complete design I already posted but I also receive these 3 symbols. I add those between the parts of Hoor Paar Kraat. Instead of the crosses in the first design. Also I add 22 K golden leaves on some parts ( triangle) It could be possible I get more info to add or details. Also you can see the bee wax carving. See the result below.
Note about the design:
LAM pentacle is ready. Made from beewax. With 22k gold leaves in the middle. Inspired by working with LAM and still working with him. The color of the letters is the color I have in my visions when I’m surrounded by a purple/ violet egg around me.I also added Abramelin oil to the wax.
Love is the law, love under will.
Here follows a text wherein the stages of meditation. I quote the whole text since its clear and very helpful. For me this shamatha practice is the basis of my daily activities.
The Tibetan word for Shamatha meditation means calm abiding or Shinè. The practice of Shamatha meditation develops the ability to focus the mind in single-pointed perfect concentration and is a prerequisite for the development of vipashyana or analytical insight meditation. Shamatha meditation should ideally practice in an isolated place and one should seat in meditation posture of Vairochana Buddha. The object of concentration is usually the image of the Buddha or a deity. The illustration of the development of mental tranquility is brilliantly depicted in this thangka in nine progressive stages of mental development which are obtained through the six powers of study, contemplation, memory, comprehension, diligence and perfection. The first stage is attained through the power of study and or hearing. The monk fixes his mind on the object of concentration. Here a monk chasing, binding, leading and subduing elephant whose colour progresses from black to white. The elephant represents the mind and its black colour the gross aspects of mental dullness. The monkey represents distraction or mental agitations, and its black colour, scattering. The hare represents the more subtle aspect of sinking. The hooked goad and lasso which the monk wields represent clear understanding and mindful recollection. The progressive diminishing along the path represents the decreasing degree of effort needed to cultivate understanding and recollection. The five sense objects represent the five sensual source of distraction.
The details are as follows; As mentioned above, the monkey represents mental agitation; its black colour distraction. The monkey at the first runs a wildly, leading the elephant. The second stage is attained through the power of concentration. This is achieved by lengthening the periods of concentration on the objects. The five senses of touch are objects of distraction. Beginning at their heads, the elephant and monkey begin to turn white. This shows the continuous progress in fixing and holding the objects of concentration.
The third and fourth stages are attained through the power of memory or recollection. The monk lassoes the elephant fixing the wandering mind on the object. The hare, which now appears on the elephant’s back, represents the subtle aspects of sinking. Here one is able to differentiate between the gross and subtle aspects of sinking. The elephant, monkey, and hare look back; showing that having recognized these mental distractions, the mind turns back to these mental distractions, the mind turns back to the object of concentration. The meditator holds a clear and detailed conception of the object.
Attainment of the fifth and sixth stages of meditative absorption is achieved through the power of clear comprehension. The monkey now follows the elephant; the arising of distraction diminishes. Even the arising of virtuous thoughts must be perceived as a distraction from the object of concentration. The monk hooks the elephant with his goad; the mind is stopped from wandering by clear understanding. The mind is controlled. The hare disappears and the mind is pacified. The seventh and eighth stages are attained through the power of energetic perseverance. The monkey leaves the elephant and now squats behind the monk in complete submission. However there are still slight traces of black; this shows that even the subtlest sinking and scattering may continue to arise. Should they begin to arise they can be eliminated with the slightest effort. Now the monkey disappears and the elephant becomes completely white. The mind can now remain continually in absorption on the object of concentration, Single-pointedness of mind. The ninth stage of mental absorption is attained through the power of perfection. Perfect equanimity, the path has ended and elephant is at rest. From the heart of the meditating monk emanates a rainbow like ray. The monk rides the elephant; the attainment of shamatha. Riding the elephant across the rainbow; mental bliss. The monk wield the flaming a sword of perfect insight, and rides triumphantly back along the rainbow; samsara’s root is destroyed by the union of shamatha and vipashyana with emptiness as the object of contemplation. Control of the flame supreme mindfulness and understanding represents the ability to examine the sublime meaning of shunyata.
The upper part of the illustration, where the rainbow emanates from the monk’s heart, represents the tenth and eleventh stages of transcendental mental absorption. The tenth stage of bodily and mental bliss is symbolized by the monk riding the elephant. The eleventh stage is represented by the monk riding the elephant back across the rainbow. From the monk’s heart emanates two dark rainbows, which the monk is just about to cut asunder with his flaming sword of wisdom. There two rainbows represent karmic hindrances and mental illusion, and the obscurations of the instincts of mental distortion.
These days there are many people that have ideas about what meditation is and how one should do it. This tendency is a result of all the information on available on the internet and published books from all kind of teachers, or so called teachers. Its hard to find ones way in all this information. Many of them ask a lot of money to do their courses and to get a certificate. Also these days people tend to do a course for a couple of years and going to teach themselves. I’m not sure this is the right way, and of course they ask money for it as well.
If I speak for myself I meditate for 22 years now started in 1994 and I still haven’t the idea to teach myself. I think one should learn this from an authentic teacher.
There are hundreds of methods of meditation. The one I use is from the Tibetan Buddhist tradition and helps me a lot on my path as I wrote on the influences on my Path part of this blog. Its called Shamatha or calm abiding along with the Mantra of Padmasambhava or Guru Rinpoche. Its my daily practice and cornerstone of all other practices and meditations I do. One doesn’t have to be a Buddhist to use these principals since they are universal.
Seven line Prayer to Guru Rinp0che. A very powerful invocation of Guru Rinpoche.
HUNG – ORGYEN YUL GYI NUB JANG TSAM
On the northwest border of the country of Urgyen
PEDMA GESAR DONG PO LA
In the pollen heart of a lotus
YA TSEN CHOG GI NGODRUP NYE
Marvelous in the perfection of your attainment
PEDMA JUNG NE ZHE SU DRAG
You are known as Lotus Born
KOR DU KHANDRO MANG PO KOR
And are surrounded by your circle of Dakinis
KYED KYI JE SU DAG DRUP KYI
Following you I will practice
JIN GYI LOB CHIR SHEG SU SOL
I pray you, come and confer your Blessings.
GURU PEDMA SIDDHI HUNG!
My favorite Mantra of Padmasambhava. Chanted by a great Master. Chagdud Tulku Rinpoche. This Mantra I use a lot.
The 100 syllable mantra. I use this mantra often as well. Its a purifier and has a lot of power to heal others.
Its important to do this practice daily. Better 5 minutes a day then 1 hour a week. One should be enter into a state of being that one maintains the whole day long. Integration of this state of mind is essential otherwise its a technique that one does once or twice a day and no one benefits from it. Discipline, patience and balance is what it requires to do this practice. Sometimes it takes many years before results are experienced. And this can be very difficult in a society where people are used to instant results. Actually one should let go result since it only makes more concept how it should be and this is an obstacle on the Path.
Beside this for I use also a mediation I’ve learned in Amorc (used in mysticism) and the Hermetic order of the Golden Dawn, the A.’.A.’. and from private teachers. Sometimes its also a mix with ritual. To have a quiet mind and have an understanding of the mind is essential to make progress on the Path no matter what spiritual path it is.